'A lucid and eminently useful atlas of screenwriting technique. All the vague confusing things that teachers and studio executives say about flashback, turning points and multiple protagonists are whipped into coherent shape here, in a comprehensive, precise and extremely practical theory. Clear structural diagrams, up-to-date examples and thought-provoking analysis of failed films make this an essential tool in any writer's kit.'
Christopher Vogler (The Writer's Journey)

'Linda Aronson is one of the great and important voices on screenwriting.'
Dr Linda Seger, author of Making a Good Script Great

'...an incredibly comprehensive analysis of what the screenwriter does, of what can go right and what can go wrong and how to fix it when it does. I highly recommend it.'
Andrew Bovell, Screenwriter – 'Lantana', ‘Edge of Darkness’

“Linda Aronson...absolutely sensational. So many ideas crammed in an hour and a half and she is a brilliant communicator and I could understand even the most complicated structures she was talking about. It was quite eye-opening and very inspiring. Even the stuff she flung in there as asides rang true and made me think”. 

E J FISHER – Writer

“Linda Aronson’s Non-Linear storytelling provided amazing insight into new ways of storytelling.  After the session I completely revised one of my ideas for a script and now it will turn out way more interesting!

CHRISTINA GEORGIOU - Writer / Composer

“Linda Aronson - concise, well presented, busting with clear information on the exciting subject of non linear”. 

GORDON SLACK - Writer

“I was struggling with the re-write of my feature - thanks to Linda Aronson's workshop on non-linear structures I've figured out a new structure that captures the effect I am trying to achieve”.

LORREN BONIFACE - Writer

“Linda Aronson - gave me an unexpected insight into solving a major problem on one of my scripts”.

PAUL BRODRICK - Writer

“Linda Aronson- genuinely stimulating”.

ANNIE DE MUYNCK - Writer

“Linda Aronson’s session applies significantly to my dissertation topic this year and was just downright brilliant”.

RICHARD JAMES - Writer

“Linda Aronson - really dug her enthusiasm, man. Again, unique subject matter that you wouldn't normally find at a festival”.

Xandria Horton, Writer

“Linda Aronson, by far. I know the business of screenwriting is just as important, but this is the kind of hands-on writing stuff that can inspire me to write all the way until next year”. 

JONATHAN BART - Writer